The Best Of M.T. (1981)
The Manhattan Transfer relacionado principalmente con el jazz, pero también con otros géneros musicales, se formó en Nueva York en 1972 cuando Tim Hauser conoció a Laurel Massé durante un viaje en taxi, y ambos descubrieron su afinidad por el mismo tipo de música. Posteriormente Laurel también se encontró con Janis Siegel, en ese momento cantante en un grupo folk, y la convenció de sumarse al proyecto. Finalmente la formación inicial se completó con Alan Paul, galán y cantante en Broadway, Nueva York, el 1 de octubre de 1972, la que se considera como fecha de fundación del grupo.
Al principio actuaban en clubes de jazz neoyorquinos y dada la buena acogida del público, grabaron su disco presentación The Manhattan Transfer en 1975. Posteriormente les siguieron los discos Coming Out y Pastiche, de buen éxito en Estados Unidos, pero que fueron aún mejor recibidos en Europa.
En 1978 Laurel Massé decidió abandonar el grupo para desarrollar su carrera solista, y fue reemplazada por Cheryl Bentyne. Esta formación (Laurel, Siegel, Paul y Bentyne) se ha mantenido inalterable desde entonces. Al poco tiempo de la salida de Laurel Massé de Manhattan Transfer, se editó el disco en vivo The Manhattan Transfer Live’, que fue seguido por el disco en estudio Extensions en el cual aparece Birdland, una de sus interpretaciones más conocidas. Posteriormente vendría el reconocimiento de la industria con varios premios Grammy, el primero de los cuales fue recibido en 1980 por Mecca for Moderns, y luego también por su trabajo de 1982 Route 66.
Aunque Manhattan Transfer ya era un grupo reconocido en su ambiente, por sus colegas y la crítica, faltaba aún su definitiva consagración, que llegaría en 1985 con Vocalese, donde interpretaban los clásicos del jazz con letras aportadas por Jon Hendricks, quien era considerado el genio que ponía letras al jazz. El tema que titulaba el disco fue nominado para 12 premios, situación sólo superada en la historia de los Grammy por Thriller de Michael Jackson.
Tracks:
1. Tuxedo Junction
2. Boy From New York City
3. Twilight Zone/Twilight Tone
4. Body and Soul
5. Candy
6. Four Brothers
7. Birdland
8. Gloria
9. Trickle Trickle
10. Operator
11. Java Jive
12. Nightingale Sang in Berkeley Square
**Listen**
The Manhattan Transfer – The Best Of M.T. (1981)
Diciembre 25, 2008 a 11:40 pm (Jazz, Pop)
Maximum Funk 12″: The Original Maxi Single Collection – Various Artists (2000)
Diciembre 25, 2008 a 10:50 pm (Funk)
Varius Artist.
Tracks:
1. Packjammed With the Party Posse – Stock, Aitken & Waterman
2. Rapp Payback (Where Iz Moses?), Pt. 2 [12"] – James Brown
3. Boogie Down (Get Funky Now) [12] – Real Thing
4. Do What You Wanna Do [12] – T. Connection
5. One Nation Under a Groove [12] – Funkadelic
6. Fantastic Voyage [12] – Lakeside
7. Funky Sound [12] – Sequence
8. Pick Up the Pieces [12] – Average White Band
9. Do It [Mix] – BT Express
10. Loose Caboose [12"] – Joe Tex
**Listen**
Woods Empire – Universal Love (1981)
Diciembre 25, 2008 a 10:37 pm (Disco Funk, Electronic)

Universal Love. Tabu Records 1981.
Tracks:
01. Party Down
02. Sweet Delight
03. So Hot
04. The Boogie’s Gonna Get You
05. In Your Ear With It
06. Destiny
07. Misty Eyes
08. In The Night Air
09. Universal Love
10. I don’t wanna fall in love
11. Come On Give Me Love
**Listen**
Cameo – The Best Of Cameo (1993)
Diciembre 25, 2008 a 10:13 pm (Funk)
The Best Of Cameo (Funk Essentials-1993).
Larry Blackmon and his Cameo mates ruled funk’s domain for over a decade. Cameo evolved from its origins as a horn-based and dominated ensemble into a synthesizer-oriented group that still featured sturdy basslines and exuberant vocals, but was in tune with urban and black America’s new sensibility. These 14 selections range from the formative cuts “Rigor Mortis,” “Shake Your Pants,” and “It’s Over” to the definitive “Word Up,” “Candy,” and “Back and Forth.” Blackmon’s alternately sneering, defiant, and aggressive vocals were the constant from Cameo’s beginnings in the 1970s to their emergence as funk’s reigning champions in the 1980s.
Tracks:
1. Word Up!
2. Single Life
3. Candy
4. Shake Your Pants
5. Rigor Mortis
6. Attack Me With Your Love
7. Talkin’ Out the Side of Your Neck
8. Sparkle
9. Back and Forth
10. Flirt
11. She’s Strange [12 Rap Version]
12. I Just Want to Be
13. Skin I’m In Blackmon
14. It’s Over
**Listen**
Parliament – Funkentelechy Vs. The Placebo Syndrome (1977)
Diciembre 25, 2008 a 9:25 pm (Funk)
Funkentelechy Vs. The Placebo Syndrome (1977).
Parliament simply poured it on for this amazing album, clearly one of its all-time best. At least one band named itself after a lyric – Urge Overkill, taken from the song “Funkentelechy” itself – while the amount of times this album has been sampled for the music is uncountable. Besides having an absolutely wonderful name, it contained at least three of the finest Parliament tunes ever, including arguably its signature song. “Flash Light,” which closes Funkentelechy on a riotous high, has it all – a brilliant fake ending, instant singalong value, a synth-bassline to kill for from Bernie Worrell, and so much more. As the album ends, so too does it begin, with a stone-cold classic – “Bop Gun (Endangered Species).” Starting with a brisk little guitar figure and beat, it turns into an instant party on all fronts, with great lead vocals and an addictive chorus, the Horny Horns and company hitting the grooves and blasting hard. Worrell’s laser noises and shimmering keyboard leads and Cordell Mosson’s monster bass squelches send everything all that much more over the top. Another song title says it all – “Sir Nose D’Voidoffunk (Pay Attention – B3M).” Treated with vocoders to an absurd degree, Sir Nose became the legendary enemy of funk, specifically the Starchild, on many a P-Funk recording (that’s the two of them on the hilarious cover, the Starchild himself operating the Bop Gun). The throwaway lines in this song are almost legendary in and of themselves, while the music itself is a great slow build and burn rhythm that piles more on as it goes, with singers, horns, and more taking it to a climax. “Funkentelechy” and “The Placebo Syndrome” both have plenty of goodness as well, while “Wizards of Finance” is an amusing retro diversion, helping make Funkentelechy the highlight it is.(AMG).
Tracks:
1. Bop Gun (Endangered Species)
2. Sir Nose d’Voidoffunk [Pay Attention - B3M]
3. Wizard of Finance
4. Funkentelechy
5. Placebo Syndrome
6. Flash Light
**Listen**
Crown Heights Affair – The Best Of C.H.A.: Dreaming A Dream (2001)
Diciembre 25, 2008 a 6:20 pm (Disco, Disco Funk, Soul)
The Best Of C.H.A.: Dreaming A Dream (2001)
Like Earth, Wind & Fire and Kool & the Gang before them, Crown Heights Affair artfully bridged the gap between funk and disco, guaranteeing their records new life via sampling by successive generations of rappers and DJs. Originally dubbed New Day Express, the group formed in Brooklyn, NY, in 1967, originally comprising lead vocalist Philip Thomas, guitarist William “Bubba” Anderson, bassist Arnold “Muki” Wilson, keyboardist Stan Johnson, and drummer Raymond “Sugar Ray” Rock. Crown Heights Affair’s roster soon expanded to include saxophonist Darryl Gibbs, trumpeter James Baynard, and trombonist Julius Dilligard, Jr., and in 1973 they signed to RCA, releasing their self-titled debut LP the following year. While a hit in New York, the first single, “Super Rod,” failed to earn attention across the rest of the country, and when the follow-ups “Leave the Kids Alone” and “Special Kind of Woman” met the same fate, the group was left without a label. At that point Johnson, Gibbs, Baynard, and Dilligard all resigned from Crown Heights Affair, with Howie Young joining on keyboards, Tyrone Demmons coming in on trumpet, and siblings Bertram and Raymond Reid playing saxophone and trombone, respectively. This lineup signed to De-Lite, home to kindred spirits Kool & the Gang, and in 1975 Crown Heights Affair issued its sophomore effort, Dreaming a Dream, with an extended disco mix of the title cut cracking the R&B Top Five and the pop Top 50; “Every Beat of My Heart” and “Foxy Lady” soon followed, further establishing the group’s growing reputation among clubgoers. Percussionist Skip Boardley joined the lineup with 1976’s Do It Your Way; although the first single, “Dancin’,” was a rather shameless knockoff of Isaac Hayes’ classic “Theme from ‘Shaft’,” sales were again respectable, even if the LP’s second single, “Do It the French Way,” failed to generate much attention. 1978’s Dream World was buoyed by De-Lite’s new international distribution deal with Polygram. Virtually overnight Crown Heights Affair emerged as major fan favorites in the U.K., with the singles “Galaxy of Love” and “I’m Gonna Love You Forever” both reaching the British pop charts. While the title cut to 1979’s Dance Lady Dance was another British hit, the album flopped stateside, prompting Crown Heights Affair to recruit producer Bert DeCoteaux, known for hits with Sister Sledge; the resulting Sure Shot remains a minor masterpiece, highlighted by the disco classic “You Give Me Love,” a Top Ten U.K. pop hit during the summer of 1980. But the general public’s interest in disco soon took a nosedive, and Crown Heights Affair spent the next two years on hiatus. Minus keyboardist Young, the group resurfaced in 1982 with Think Positive, a failed attempt to update their sound to current tastes. After one final effort, 1983’s Struck Gold, Crown Heights Affair split. Bert Reid went on to enjoy some success as a producer, helming Denroy Morgan’s underground smash “I’d Do Anything for You” as well as sessions for Unlimited Touch (“I Hear Music in the Streets”), Raw Silk (“Do It to the Music”), and Barbara Tucker (“Stay Together”). As vintage Crown Heights Affair grooves found their way onto latter-day hip-hop and R&B records, Reid also collaborated with producer/DJs Little Louie Vega and François Kevorkian. He died in New York City on December 12, 2004.
Tracks:
Pt1
1. Dreaming a Dream (Goes Dancin’ Mix)
2. Foxy Lady
3. Every Beat of My Heart (12″ Mix)
4. Na, Na, Hey, Hey
5. Searching for Your Love
6. Dancin’
7. Music Is the World
8. Far Out
9. French Way (Do It the)
10. Galaxy of Love
11. I Love You (12″ Mix)
12. Say a Prayer for Two (12″ Remix)
13. Things Are Going to Get Better
14. I’m Gonna Love You Forever
Pt2
1. Dance Lady Dance
2. The Rock Is Hot
3. You Don’t Have to Say You Love Me (12″ Remix)
4. You Gave Me Love (12″ Mix)
5. Sure Shot
6. You’ve Been Gone
7. Use Your Body and Soul (12″ Remix)
8. Somebody Tell Me What to Do
9. Love Ripoff
10. Think Positive
11. Your Love Makes Me Hot
12. Heavy Lovin’
13. Rock the World
Listen: **1** **2**
Rick James – Come Get It! (1978)
Diciembre 25, 2008 a 5:24 pm (Disco Funk, Funk)
Come Get It! (1978)
After returning to the U.S. from London, where he fronted the blues band Mainline, Rick James cut one album with White Cane before he turned to his own solo venture. By 1977, he’d begun working with the Stone City Band, emerging at the end of the year with an album’s worth of delicious funk-rock fusion. Released in spring 1978, Come Get It! was a triumphant debut, truly the sum of all that had gone before, at the same time as unleashing the rudiments of what would become not only his trademark sound, but also his mantra, his manifesto — his self proclaimed punk-funk. Packed with intricate songs that are full of effusive energy, Come Get It! is marvelously hybridized funk, so tightly structured that, although they have the outward feel of funk’s freewheeling jam, they never once cross the line into an uncontrolled frenzy. This is best demonstrated across the monumental, eight-plus-minute “You and I.” With enough funk bubbling under the surface to supplant the outward disco sonics of the groove, but brought back to earth via James’ vocal interpolations, “You and I” became James’ first R&B chart hit, effortlessly slamming into the top spot. “Mary Jane,” meanwhile, was James’ homage to marijuana — honoring the love affair through slang, it dipped into the Top Five in fall 1978. More importantly, though, it also offered up a remarkable preview of his subsequent vocal development. With nods to Earth, Wind & Fire on “Sexy Lady,” Motown sonics on “Dream Maker,” the passionate “Hollywood,” and the classic club leanings of “Be My Lady,” it’s obvious that James was still very much in the throes of transition, still anticipating his future onslaught of hits and superstardom. Many of the songs here have a tendency toward the disco ethics that were inescapable in 1978, and have been faulted as such; nevertheless, what James achieved on this LP was remarkably fresh, and would prove vitally important to funk as it grew older during the next decade. (AMG)
Tracks:
1. Stone City Band, Hi!
2. You and I
3. Sexy Lady
4. Dream Maker
5. Be My Lady
6. Mary Jane
7. Hollywood
8. Stone City Band, Bye!
**Listen**
Earth Wind & Fire – That’s The Way Of The World (1975)
Diciembre 25, 2008 a 2:31 pm (Funk)
That’s The Way Of The World (1975)
Earth, Wind & Fire has delivered more than its share of excellent albums, but if a person could own only one EWF release, the logical choice would be That’s the Way of the World, which was the band’s best album as well as its best-selling. Open Our Eyes had been a major hit and sold over half a million units, but it was World that established EWF as major-league, multi-platinum superstars. Fueled by gems ranging from the sweaty funk of “Shining Star” and “Yearnin’ Learnin’” to the gorgeous ballad “Reasons” and the unforgettable title song, EWF’s sixth album sold at least five million units. And some of the tracks that weren’t major hits, such as the exuberant “Happy Feelin’” and the gospel-influenced “See the Light,” are equally powerful. There are no dull moments on World, one of the strongest albums of the 1970s and EWF’s crowning achievement. [The 1999 CD reissue has five previously unreleased “sketches” from late 1974, including much briefer instrumental run-throughs of “Shining Star” and “That’s the Way of the World,” the first take alternate vocal of “All About Love,” an alternate of “Happy Feelin’,” and the jazz-oriented jam “Caribou Chaser” (the only one of the five not to be represented in a different version on the proper album). (AMG)
Tracks:
1. Shining Star
2. That’s the Way of the World
3. Happy Feelin’
4. All About Love
5. Yearnin’, Learnin’
6. Reasons
7. Africano
8. See the Light
Original Sketches (Previously Unreleased)
9. Shining Star
10. All About Love (First Impression)
11. Happy Feelin’ (Anatomy of a Groove)
12. Caribou Chaser (Jazzy Jam)
13. That’s the Way of the World (Latin Expedition)
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